Subscribe to our FREE email newsletter and download free character development worksheets! Rosenfeld October 11, Any story or novel is, in essence, a series of scenes strung together like beads on a wire, with narrative summary adding texture and color between. A work of fiction will comprise many scenes, and each one of these individual scenes must be built with a structure most easily described as having a beginning, middle and end. Visually, in a manuscript a new scene is usually signified by the start of a chapter, by a break of four lines called a soft hiatus between the last paragraph of one scene and the first paragraph of the next one, or sometimes by a symbol such as an asterisk, to let the reader know that time has passed.
Return to Content Writing romantic scenes and fight scenes: Yet both share common important elements: Structure shape, purpose, clarity and direction There are four things great scenes of all types not only romance and conflict scenes require. Firstly, strong scenes have structure; shape.
We sense when things are building to the mid-point or drawing to a close. We discover what place and scenario the scene is concerned with and things play out from there. Secondly, great scenes have purpose. Thirdly, great scenes have clarity.
Finally, the best story scenes have clear direction. You can read concise information on writing great scenes, including examples of effective scene opening and development, when you download our free guide to scene structure.
Read elements worth including in a structured romantic scene or character conflict: A setting that allows the encounter to develop In a steamy romance scene, the setting is typically somewhere private, where characters who are lovers or not yet lovers can get intimate. For example, special FBI agents become more than colleagues when they have to share a hotel room.
Adventuring fantasy duos kindle more than a fire when they need to keep warm overnight in a cave. Similarly, in the best fight scenes, the setting actively contributes to the encounter possibilities of the scene. In an abandoned warehouse law enforcement might have a hard time finding their way around.
This creates time and space for a major scene of conflict to play out.
Settings in romantic scenes and fight scenes alike force characters to face the inevitable, be it a kiss or a sword fight.
The train to Hogwarts in J. Yet the train to school stops between stations, and the usually safe space transforms into the stage for an eerie, unsettling encounter, as the Dementors board in search of Sirius. The fact that one almost attacks Harry foreshadows further conflicts between students and Dementors.
The example above is a good reminder that a setting can be either the probable or improbable location for a fight or romantic encounter. Ghoulish creatures might attack on the shores of a dark, deserted lake at nightfall. Similarly, two lovers might grow more intimate and kiss in a secluded, private space, but romance can also strike by surprise in unlikely places.
Whether your setting is typical for a fight or romantic scene or not, think about what it contributes to your scene. This sense of confinement ups the tension. Setting in fight and romantic scenes alike should foster the conditions for unavoidable contact. Scene-supporting mood Mood is a crucial element of both love scenes and fight scenes.
Factors that contribute to the mood of a scene include: Setting and scene description: Tone and language help convey mood, whether a place is creepy or bright, claustrophobic or expansive Character psychology: The frame of mind of your focal or narrating characters shapes mood too.
For example, a highly strung, anxious potential lover might make a usually-romantic setting appear dangerous, full of opportunities for embarrassment and awkwardness.
Maybe there are stairs to fall down, vases to knock over. Mood should be relevant to the primary events of a scene.An Illustrated Guide to Writing Scenes and Stories Jeff VanderMeer explains the ins and outs of using scenes in imaginative fiction The writing workshop/lecture Wonderbook: Scenes is an edited version, using as its starting point the transcript of a version presented at the Arkansas Book Festival in Writing Stack Exchange is a question and answer site for the craft of professional writing, including fiction, non-fiction, technical, scholarly, and commercial writing.
When writing fiction (or even narrative nonfiction), scenes are microcosms of your larger plot. Each scene takes us into a crucial moment of your characters’ story and should engage both our emotions and our minds by creating real-time momentum or action.
When scripting action scenes I imagine the key ‘snapshot’ moments that tell the reader the most important elements. I suggest small panels to set up attacks and larger panels to pay off the outcome, saving full page shots or double page spreads for the biggest and most epic moments.
Check out my new book How to Write a Dynamite Scene Using the Snowflake Method.
The book will take you on a deep dive into Scenes and Sequels, with examples from three best-selling novels. The book will take you on a deep dive into Scenes and Sequels, with examples from three best-selling novels.
Fight scenes are the single hardest character interaction to write. Many authors who know their craft in every other respect can’t write a fight scene to save their (or their hero’s) life.. Happily, there are a few devices you can use to ensure you write the kind of fight scene that grips a reader from start to finish.